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Richard Hoggart argues that the main subject of Lady Chatterley's Lover is not the sexual passages that were the subject of such debate, but the search for integrity and wholeness.Lady Chatterley's Lover focuses on the incoherence of living a life that is "all mind", which Lawrence saw as particularly true among the young members of the aristocratic classes, as in his description of Constance's and her sister Hilda's "tentative love-affairs" in their youth: So they had given the gift of themselves, each to the youth with whom she had the most subtle and intimate arguments.According to some critics, the fling of Lady Ottoline Morrell with "Tiger", a young stonemason who came to carve plinths for her garden statues, also influenced the story.The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, has been paralysed from the waist down due to a Great War injury.
Bolton, his caring nurse, after Constance has left.The class difference between the couple highlights a major motif of the novel which is the unfair dominance of intellectuals over the working class.The novel is about Constance's realization that she cannot live with the mind alone; she must also be alive physically.Jenny Turner maintained in The Sexual Imagination from Acker to Zola: A Feminist Companion (1993) that the publication of Lady Chatterley's Lover broke "the taboo on explicit representations of sexual acts in British and North American literature".She described the novel as "a book of great libertarian energy and heteroerotic beauty".
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The reader sees the brutal, bullying relationship between Mellors and his wife Bertha, who punishes him by preventing his pleasure.